The Yes-Men

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The Yes-Men
Background information
OriginMelbourne, Australia
GenresRock, Detroit, punk rock
Years active1996–2000
LabelsStolen Records Bang! Records White Jazz
Members

The Yes-Men were a high energy rock band from Melbourne Australia formed by Sean Greenway in 1995. Musically the band played a powerful Australian style of rock’n’roll, very close to the pulse of Radio Birdman and Sonic's Rendezvous Band[1] but with a harder edge and more full-on production. Sean Greenway died unexpectedly in January 2001 and with his passing The Yes-Men ceased to exist.

Background[edit]

Greenway was pretty much a mainstay of the burgeoning Melbourne underground rock scene in the late 1980s and early 1990s. He started his career as a teenager in Foot and Mouth and then formed God[2] with whom he had much success. God (often stylized as GOD) was a rock 'n' roll band from Melbourne, together from 1986 to 1989 and comprising Joel Silbersher, Tim Hemensley, Sean Greenway and Matthew Whittle. All members were 15-16 at the time of the band's formation. Prior to God's formation, Hemensley had been a member of Royal Flush (with Roman Tucker, later of Rocket Science), Greenway and Whittle were members of Foot and Mouth, and Silbersher had his own radio show on 3RRR.[3]

The debut 7" single My Pal by God from 1987 is their best known track.[4] It got very favourable reviews and sold in the thousands (which was a lot then for an independent band).[citation needed] It became an independent classic and cover versions have been recorded by several bands, including Magic Dirt, The Hollowmen, Bored!, A Death In The Family and Bum (from Canada).

Following God, Greenway formed the Freeloaders[5] with ex-members of the peripatetic The Philisteins. This lineup of the Freeloaders released a couple of singles through Dog Meat Records before Greenway left in 1995 and began a new project he would eventually call The Yes-Men.

History[edit]

Greenway wrote most of the first Yes-Men songs and began recording these songs prior to even having a band to perform them. He recruited Sydney based musician Stewart Leadfinger Cunningham[6] as lead guitarist and began rehearsing and arranging the songs with him during visits to Sydney and when Cunningham was in Melbourne (Cunningham was then playing in Asteroid B-612 and Brother Brick and would visit Melbourne every 6 weeks to play gigs). The first recording sessions for The Yes-Men involved Greenway and long time friend Matthew Whittle(ex-God) laying down bass, guitar and drum tracks at Birdland Studios in Prahran whilst Cunningham would lay down his parts when he was in Melbourne. These earlier recordings would eventually surface on the 2005 posthumous self-titled album 'The Yes-Men' (aka El Peligro Ha Comenzado).

Eventually Mark Hurst (ex- Guttersnipes) was recruited as permanent drummer and Tas Blizzard (Seaweed Gorillas. The Meanies) became the band's first genuine bass player. The addition of these two seasoned musicians solidified the band into a genuine and powerful live band for the first time. This line up recorded the bulk of the Prosody album in fits and spurts through 1997 and 1998 at Birdland studios. Due to the other commitments of the band's members and the fact that Cunningham was based in Sydney the band played live sporadically but managed three trips to Sydney/NSW and regular spots with the Powder Monkeys(who were very generous in their support of the band). The Yes-Men supported The Hellacopters at The Tote Hotel in 1999 with singer Nicke Royale becoming a big fan of The Yes-Men's music. This support led to The Yes-Men's first album Prosody being released in Europe through The Hellacopters White Jazz record label. It is probably fair to say that The Yes-Men are more widely known and loved among European rock fans than in their home country because of this European release and The Hellacopters support.

In late 1998 Jay Curley (ex-The Proton Energy Pills, Tumbleweed) replaced Tas Blizzard on bass and the final tracks (Fawlty Rocks, Fratricide, I Won't Run and Casting Stones) were recorded. The album, titled Prosody was finally finished after almost 4 years of lead up work and sporadic recording. Greenway agreed to have Melbourne record label Stolen Records release the album in Australia on vinyl and CD. White Jazz Records in Sweden would release the album in Europe with the band slated to support the Hellacopters on a Euro tour down the track. The album Prosody was and still is critically acclaimed but fate would step in to thwart the band moving further forward in two ways. The White Jazz label got into legal difficulties and failed to fully support and promote the album. Then on 21 January 2001, the band's leader and founder Sean Greenway died from an accidental heroin dose. It was mocking destiny. Shortly before, the band had begun to collect their first international appreciation thanks to an album, "Prosody" that showed their great skills in writing rough and soulful songs and then it was all over.

A memorial gig was organised for 4 February at the Tote Hotel in Melbourne and the following bands played...The Mystaken, Joel Silbersher and Charlie Owen, The Onyas, The Seminal Rats, The Powder Monkeys, Rocket Science, The Casanovas and The Yes Men with Simon Faulkner of The Splatterheads doin the vocals and Matthew Whittle on guitar. The proceeds of the memorial gig were used to finish off some leftover recordings and eventually a second posthumous album of material was released in 2005 as El Peligro Ha Comenzado on vinyl through Bang! Records and as a self-titled CD album through Butcher's Hook Records.[7]

In 2013 Bang! Records re-issued the now very sought after Prosody album.[8]

Personnel[edit]

Sean Greenway - Vocals/Guitar

Stewart ‘Leadfinger’ Cunningham - Guitar/Backing Vocals

Mark Hurst - Drums

Tasman Blizzard - Bass Guitar (1995-1988)

Jay Curley - Bass Guitar (1998-2000)

Matthew Whittle - Drums/Bass (filled in at various gigs and recording sessions during the band's existence)

Discography[edit]

Compilations

  • Anglo Girl Desire, Flattery Radio Birdman Tribute Vol 2, 2000 Get Hip Records

In popular culture[edit]

Songs originally written and recorded by The Yes-Men have been covered by Swedish band The Hellacopters who included a version of Acid Reign[9] as part of the digital only version of their last album Head off in 2008. Australian band Leadfinger recorded Swept Back (By the Tide) in 2008 and Leaving was included on their 2011 album, We Make the Music.

References[edit]

General[edit]

  • McFarlane, Ian (1999). "Whammo Homepage". Encyclopedia of Australian Rock and Pop. St Leonards, NSW: Allen & Unwin. ISBN 1-86508-072-1. Archived from the original on 5 April 2004. Retrieved 19 October 2013. Note: Archived [on-line] copy has limited functionality.

Specific[edit]

  1. ^ The Yes Men Prosody (11 May 2012). "Review". Sons of the Dolls on 5 November 2011. Retrieved 12 June 2014.
  2. ^ God My Pal Australian Anthems (20 May 2014). "Review". The Guardian. The Guardian on 20 May 2014. Retrieved 22 June 2014.
  3. ^ Donovan, Patrick (9 April 2010), "Gift from above", The Age
  4. ^ Cameron, Keith (25 January 2008), "Film & Music: Brief encounters: The second coming of God", The Guardian
  5. ^ McFarlane, [1] entry. Archived from the original on 28 August 2004. Retrieved 22 June 2014.
  6. ^ Stew Cunningham Interview. "NKVD Noise for Heroes Interview". NKVD. Archived from the original on 30 April 2009. Retrieved 22 June 2014.
  7. ^ The Yes Men Prosody (5 May 2012). "Yes-Men 2nd album". Sons of the Dolls on 5 December 2012. Retrieved 22 June 2014.
  8. ^ Yes Men Munster. "The Yes Men". Munster. Retrieved 22 June 2014.
  9. ^ Hellacopters. "Acid Reign Hellacopters". Youtube. Retrieved 22 June 2014.
  • Stranded: The Secret History of Australian Independent Music 1977-1991, Clinton Walker, Pan MacMillan, 1996, ISBN 0-7329-0883-3.

External links[edit]

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