The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both highly dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized and sometimes intricate forms. This is often achieved through sustained and deliberate study, training and/or theorizing within a particular tradition, across generations and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural and individual identities, while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life and experiences across time and space.
The arts can refer to common, popular or everyday practices as well as more sophisticated and systematic, or institutionalized ones. They can be discrete and self-contained, or combine and interweave with other art forms, such as the combination of artwork with the written word in comics. They can also develop or contribute to some particular aspect of a more complex art form, as in cinematography. By definition, the arts themselves are open to being continually re-defined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.
As both a means of developing capacities of attention and sensitivity, and as ends in themselves, the arts can simultaneously be a form of response to the world, and a way that our responses, and what we deem worthwhile goals or pursuits, are transformed. From prehistoric cave paintings, to ancient and contemporary forms of ritual, to modern-day films, art has served to register, embody and preserve our ever shifting relationships to each other and to the world. (Full article...)
Caspar David Friedrich (5 September 1774 – 7 May 1840) was a German Romanticlandscape painter, generally considered the most important German artist of his generation. He is best known for his allegorical landscapes, which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic ruins. His primary interest was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey a subjective, emotional response to the natural world. Friedrich's paintings characteristically set a human presence in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze towards their metaphysical dimension".
Friedrich was born in the town of Greifswald on the Baltic Sea in what was at the time Swedish Pomerania. He studied in Copenhagen until 1798, before settling in Dresden. He came of age during a period when, across Europe, a growing disillusionment with materialistic society was giving rise to a new appreciation of spirituality. This shift in ideals was often expressed through a reevaluation of the natural world, as artists such as Friedrich, J. M. W. Turner and John Constable sought to depict nature as a "divine creation, to be set against the artifice of human civilization". (Full article...)
Due to the previous film's financial success, Boogeyman 2 was announced in October 2006. Production of the film began in the same month with the hiring of Betancourt as director and Sieve attached as writer. Casting began in December of the same year with the hiring of O'Connor; Savre got the lead role in January 2007. Filming took place in Los Angeles at the former hospital, Linda Vista Community Hospital, over a four-month period, beginning in January 2007 and concluding in April. Unlike the original film, which featured the Boogeyman as a supernatural being, Betancourt strove to present a more grounded and realistic version of the mythical creature. Additionally, emphasis was placed on the writing and atmosphere to compensate for the film's small $4.5 million budget. (Full article...)
Named for energy firm BP, which donated $5 million toward its construction, it is the first Gehry-designed bridge to have been completed. BP Bridge is described as snakelike because of its curving form. Designed to bear a heavy load without structural problems caused by its own weight, it has won awards for its use of sheet metal. The bridge is known for its aesthetics, and Gehry's style is seen in its biomorphic allusions and extensive sculptural use of stainless steel plates to express abstraction. (Full article...)
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Tornado over Kansas, or simply The Tornado, is a 1929 oil-on-canvas painting by the American Regionalist painter John Steuart Curry. It depicts a dramatic scene in which a family races for shelter as a tornado approaches their farm, and has compositional connections to Curry's earlier 1928 painting Baptism in Kansas. The artist is believed to have been influenced by Baroque art and photographs of tornadoes. He developed a fear of natural disasters and a reverence towards God during his childhood, both of which are apparent in the painting.
Following its 1930 debut, Tornado over Kansas was considered a notable Regionalist work, but native Kansans disliked the choice of subject matter. Although the painting won awards and was lauded by some, others criticized Curry's amateur style of painting. Curry's work attracted criticism from contemporary painters Stuart Davis and Thomas Hart Benton, and logical inconsistencies and technical errors in the composition have been noted. (Full article...)
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The Third of May 1808 (also known as El tres de mayo de 1808 en Madrid or Los fusilamientos de la montaña del Príncipe Pío, or Los fusilamientos del tres de mayo) is a painting completed in 1814 by the Spanish painter Francisco Goya, now in the Museo del Prado, Madrid. In the work, Goya sought to commemorate Spanish resistance to Napoleon's armies during the occupation of 1808 in the Peninsular War. Along with its companion piece of the same size, The Second of May 1808 (or The Charge of the Mamelukes), it was commissioned by the provisional government of Spain at Goya's own suggestion shortly after the ousting of the French occupation and the restoration of King Ferdinand VII.
The painting's content, presentation, and emotional force secure its status as a ground-breaking, archetypal image of the horrors of war. Although it draws on many sources from both high and popular art, The Third of May 1808 marks a clear break from convention. Diverging from the traditions of Christian art and traditional depictions of war, it has no distinct precedent, and is acknowledged as one of the first paintings of the modern era. According to the art historian Kenneth Clark, The Third of May 1808 is "the first great picture which can be called revolutionary in every sense of the word, in style, in subject, and in intention". (Full article...)
In the aftermath of the Columbine High School massacre on April 20, 1999, national news media reported that the perpetrators were wearing the band's T-shirts during the rampage, and had been influenced by their music. As their first release after the massacre, the record was Manson's rebuttal to the accusations leveled against him and the group, and was described by the vocalist as a "declaration of war". It was written in the singer's former home in the Hollywood Hills and recorded in several undisclosed locations, including Death Valley and Laurel Canyon. His ambitions for Holy Wood initially included an eponymous film exploring its backstory—a project which has since been abandoned and was modified into the as-yet-unreleased Holy Wood novel. (Full article...)
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John Douglas, photograph published in 1890
John Douglas (11 April 1830 – 23 May 1911) was an English architect who designed over 500 buildings in Cheshire, North Wales, and northwest England, in particular in the estate of Eaton Hall. He was trained in Lancaster and practised throughout his career from an office in Chester. Initially he ran the practice on his own, but from 1884 until two years before his death he worked in partnerships with two of his former assistants.
Douglas's output included new churches, restoring and renovating existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic. Douglas worked during the period of the Gothic Revival, and many of his works incorporate elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe and included elements of French, German and Dutch architecture. However he is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, influenced by the black-and-white revival in Chester. Other vernacular elements he incorporated include tile-hanging, pargeting and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas's use of joinery and highly detailed wood carving. (Full article...)
Six of the outer panels (or shutters) have hinges for folding; when closed the exterior view of saints and donors is visible. The inner panels contain scenes from the Last Judgement arranged across two registers. The large central panel spans both registers and shows Christ seated on a rainbow in judgement, while below him, the Archangel Michael holds scales to weigh souls. The lower register panels form a continuous landscape, with the panel on the far proper right showing the gates of Heaven, while the entrance to Hell is on the far proper left. Between these, the dead rise from their graves, and are depicted moving from the central panel to their final destinations after receiving judgement. (Full article...)
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Title page of the first edition
The Man in the Moone is a book by the English divine and Church of England bishop Francis Godwin (1562–1633), describing a "voyage of utopian discovery". Long considered to be one of his early works, it is now generally thought to have been written in the late 1620s. It was first published posthumously in 1638 under the pseudonym of Domingo Gonsales. The work is notable for its role in what was called the "new astronomy", the branch of astronomy influenced especially by Nicolaus Copernicus. Although Copernicus is the only astronomer mentioned by name, the book also draws on the theories of Johannes Kepler and William Gilbert. Godwin's astronomical theories were greatly influenced by Galileo Galilei's Sidereus Nuncius (1610), but unlike Galileo, Godwin proposes that the dark spots on the Moon are seas, one of many parallels with Kepler's Somnium sive opus posthumum de astronomia lunari of 1634.
The story is written as a first-person narrative from the perspective of Domingo Gonsales, the book's fictional author. In his opening address to the reader the equally fictional translator "E. M." promises "an essay of Fancy, where Invention is shewed with Judgment". (Full article...)
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LaBelle in 2012
Leah LaBelle Vladowski (September 8, 1986 – January 31, 2018) was an American singer. She rose to prominence in 2004 as a contestant on the third season of American Idol, placing twelfth in the season finals. In 2007, LaBelle began recording covers of R&B and soul music for her YouTube channel. These videos led to work as a backing vocalist starting in 2008 and a record deal in 2011 with Epic in partnership with I Am Other and So So Def Recordings. LaBelle released a sampler, three singles, and a posthumous extended play (EP).
Born in Toronto, Ontario, and raised in Seattle, Washington, LaBelle began pursuing music ambition as a career in her teens. As a child, she performed in the Total Experience Gospel Choir and the musical Black Nativity. In 2005, LaBelle attended the Berklee College of Music for a year before dropping out and relocating to Los Angeles. While in college, she collaborated with Andreao Heard on a demo. Following the advice of an industry contact, LaBelle released her music through her YouTube channel. Keri Hilson hired LaBelle as a backing vocalist after hearing her rendition of "Energy", which led to her working for other artists on their tours. (Full article...)
In the first section of Fenwick's book, she recounts the est training process and the methods used during the course. Fenwick details the rules or "agreements" laid out by the trainers to the attendees, which include not talking to others or leaving the session to go to the bathroom unless during an announced break period. The second section is analytic: Fenwick analyzes the methods used by the est trainers, evaluates the course's potential effects, and discusses Erhard's background. Fenwick concludes that the program's long-term effects are unknown, the est training may not be appropriate for certain groups of people, and that a large proportion of participants report perceived positive effects. (Full article...)
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Manchester Cenotaph in 2017, in its new location near the town hall; looking south
Manchester Cenotaph is a war memorial in St Peter's Square, Manchester, England. Manchester was late in commissioning a First World War memorial compared with most British towns and cities; the city council did not convene a war memorial committee until 1922. The committee quickly achieved its target of raising £10,000 but finding a suitable location for the monument proved controversial. The preferred site in Albert Square would have required the removal and relocation of other statues and monuments, and was opposed by the city's artistic bodies. The next choice was Piccadilly Gardens, an area already identified for a possible art gallery and library; but in the interests of speedier delivery, the memorial committee settled on St Peter's Square. The area within the square had been had been purchased by the City Council in 1906, having been the site of the former St Peter's Church; whose sealed burial crypts remained with burials untouched and marked above ground by a memorial stone cross. Negotiations to remove these stalled so the construction of the cenotaph proceeded with the cross and burials in situ.
Having picked a site, it was originally proposed to choose an architect by open competition, but the memorial committee was criticised in the local press when it reserved the right to overrule the judgement of the independent assessor. A sub-committee therefore approached Sir Edwin Lutyens directly, who produced, in a matter of weeks, a variation of his design for the Cenotaph in London. The memorial consists of a central cenotaph and a Stone of Remembrance flanked by twin obelisks, all features characteristic of Lutyens' works. Raised steps either side of the Stone of Remembrance provided east-facing tribunes for the colour party in memorial parades. The cenotaph is topped by an effigy of a fallen soldier and decorated with relief carvings of the imperial crown, Manchester's coat of arms and inscriptions commemorating the dead. The structures, based on classical architecture, use abstract, ecumenical shapes rather than overt religious symbolism. In submitting the design, Lutyens stated that he envisaged the crypts and cross as remaining in place; as the cenotaph could stand on the foundations of the former church tower and the cross would serve to "consecrate the site", while there would be no explicit religious symbolism on the cenotaph itself. (Full article...)
Born in Guildford, the third son of a British magistrate based in Hong Kong, Wodehouse spent happy teenage years at Dulwich College, to which he remained devoted all his life. After leaving school he was employed by a bank but disliked the work and turned to writing in his spare time. His early novels were mostly school stories, but he later switched to comic fiction. Most of Wodehouse's fiction is set in his native United Kingdom, although he spent much of his life in the US and used New York and Hollywood as settings for some of his novels and short stories. He wrote a series of Broadway musical comedies during and after the First World War, together with Guy Bolton and Jerome Kern, that played an important part in the development of the American musical. He began the 1930s writing for MGM in Hollywood. In a 1931 interview, his naive revelations of incompetence and extravagance in the studios caused a furore. In the same decade, his literary career reached a new peak. (Full article...)
The cover to the June 1914 issue of Vanity Fair, an American magazine published from 1913 to 1936 by Condé Montrose Nast, the first of many published by his company Condé Nast Publications. Nast purchased a men's fashion magazine titled Dress in 1913 and renamed it Dress and Vanity Fair. In 1914, the title was shortened to Vanity Fair. During its run, it competed with The New Yorker as the American establishment's top culture chronicle and featured writing by Thomas Wolfe, T. S. Eliot, P. G. Wodehouse, and Dorothy Parker. However, it became a casualty of the Great Depression and declining advertising revenues, and it was folded into Vogue in 1936. In 1983, Condé Nast revived the title as a new publication.
Robert Peake the Elder (c. 1551–1619) was an English painter active in the later part of Elizabeth I's reign and for most of the reign of James I. In 1604, he was appointed picture maker to the heir to the throne, Prince Henry, and in 1607, serjeant-painter to King James I, a post he shared with John De Critz. Peake is often called "the elder", to distinguish him from his son, the painter and print sellerWilliam Peake (c. 1580–1639) and from his grandson, Sir Robert Peake (c. 1605–1667), who followed his father into the family print-selling business. Peake was the only English-born painter of a group of four artists whose workshops were closely connected. The others were De Critz, Marcus Gheeraerts the Younger, and the miniature-painterIsaac Oliver. Between 1590 and about 1625, they specialised in brilliantly coloured, full-length "costume pieces" (example pictured) that are unique to England at this time. It is not always possible to attribute authorship among Peake, De Critz, Gheeraerts and their assistants with certainty. (Full article...)
All the world's a stage / And all the men and women merely players / They have their exits and their entrances / And one man in his time plays many parts ...
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