The 1980s (pronounced "nineteen-eighties", shortened to "the '80s" or "the Eighties") was a decade that began January 1, 1980 and ended December 31, 1989.
The decade saw a dominance of conservatism and free market economics, and a socioeconomic change due to advances in technology and a worldwide move away from planned economies and towards laissez-faire capitalism compared to the 1970s. As economic deconstruction increased in the developed world, multiple multinational corporations associated with the manufacturing industry relocated into Thailand, Mexico, South Korea, Taiwan, and China. Japan and West Germany saw large economic growth during this decade. The AIDS epidemic became recognized in the 1980s and has since killed an estimated 39 million people (). Global warming became well known to the scientific and political community in the 1980s.
The final decade of the Cold War opened with the US-Soviet confrontation continuing largely without any interruption. Superpower tensions escalated rapidly as President Reagan scrapped the policy of détente and adopted a new, much more aggressive stance on the Soviet Union. The world came perilously close to nuclear war for the first time since the Cuban Missile Crisis in 1962, but the second half of the decade saw a dramatic easing of superpower tensions and ultimately the total collapse of Soviet communism.
Developing countries across the world faced economic and social difficulties as they suffered from multiple debt crises in the 1980s, requiring many of these countries to apply for financial assistance from the International Monetary Fund (IMF) and the World Bank. Ethiopia witnessed widespread famine in the mid-1980s during the corrupt rule of Mengistu Haile Mariam, resulting in the country having to depend on foreign aid to provide food to its population and worldwide efforts to address and raise money to help Ethiopians, such as the Live Aid concert in 1985.
By 1986, nationalism was making a comeback in the Eastern Bloc, and the desire for democracy in socialist states, combined with economic recession, resulted in Mikhail Gorbachev's glasnost and perestroika, which reduced Communist Party power, legalized dissent and sanctioned limited forms of capitalism such as joint ventures with companies from capitalist countries. After tension for most of the decade, by 1988 relations between the communist and capitalist blocs had improved significantly and the Soviet Union was increasingly unwilling to defend its governments in satellite states.
The 1980s saw great advances in genetic and digital technology. After years of animal experimentation since 1985, the first genetic modification of 10 adult human beings took place in May 1989, a gene tagging experiment which led to the first true gene therapy implementation in September 1990. The first "designer babies", a pair of female twins, were created in a laboratory in late 1989 and born in July 1990 after being sex-selected via the controversial assisted reproductive technology procedure preimplantation genetic diagnosis. Gestational surrogacy was first performed in 1985 with the first birth in 1986, making it possible for a woman to become a biological mother without experiencing pregnancy for the first time in history.
The 1980s was also an era of tremendous population growth around the world, surpassing the 1970s and 1990s, and arguably being the largest in human history. Population growth was particularly rapid in a number of African, Middle Eastern, and South Asian countries during this decade, with rates of natural increase close to or exceeding 4% annually.
The 1980s saw the advent of the ongoing practice of sex-selective abortion in China and India as ultrasound technology permitted parents to selectively abort baby girls.
The global internet took shape in academia by the second half of the 1980s, as well as many other computer networks of both academic and commercial use such as USENET, Fidonet, and the Bulletin Board System. By 1989 the Internet and the networks linked to it were a global system with extensive transoceanic satellite links and nodes in most developed countries. Based on earlier work, from 1980 onwards Tim Berners Lee formalized the concept of the World Wide Web by 1989. Television viewing became commonplace in the Third World, with the number of TV sets in China and India increasing by 15 and 10 times respectively.
During the 1980s, the world population grew from 4.4 to 5.3 billion people. There were approximately 1.33 billion births and 480 million deaths. (Full article...)
The decade was great socioeconomic change due to advances in technology and a worldwide move away from planned economies and towards laissez-faire capitalism.
The 1980s was an era of tremendous population growth around the world, surpassing even the 1970s and 1990s, thus arguably being the largest in human history. Population growth was particularly rapid in a number of African, Middle Eastern, and South Asian countries during this decade, with rates of natural increase close to or exceeding 4% annually.
The AIDS epidemic became recognized in the 1980s and has since killed an estimated 39 million people (as of 2013[update]).[1]Global warming became well known to the scientific and political community in the 1980s.
The 1980s saw great advances in genetic and digital technology. After years of animal experimentation since 1985 the first genetic modification of 10 adult human beings took place in May 1989, a gene tagging experiment[2] which led to the first true gene therapy implementation in September 1990. The first "designer babies", a pair of female twins were created in a laboratory in late 1989 and born in July 1990 after being sex-selected via the controversial assisted reproductive technology procedure preimplantation genetic diagnosis.[3]Gestational surrogacy was first performed in 1985 with the first birth in 1986, making it possible for a woman to become a biological mother without experiencing pregnancy for the first time in history.[4]
The global Internet took shape in academia by the second half of the 1980s as well as many other computer networks of both academic and commercial use such as USENET, Fidonet and the Bulletin Board System. By 1989 the Internet and the networks linked to it were a global system with extensive transoceanic satellite links and nodes in most rich countries.[5] Based on earlier work from 1980 onwards Tim Berners Lee formalized the concept of the World Wide Web by 1989 and performed its earliest demonstrations in December 1990 and 1991. Television viewing became commonplace in the Third World, with the number of TV sets in China and India increasing by 15 and 10 times respectively.[6]
The channel originally aired music videos and related programming as guided by television personalities known as video jockeys, or VJs. In the years since its inception, it significantly toned down its focus on music in favor of original reality programming for teenagers and young adults. (Full article...)
... that while Pedro Joaquín Chamorro Barrios was exiled from Nicaragua and living in Costa Rica in the 1980s, his sister Claudia was there as Nicaragua’s ambassador?
... that Zdzisław Najmrodzki, a thief in 1970s–1980s Poland, escaped from law-enforcement authorities and prisons on 29 occasions?
... that Lever House, slated for replacement with a larger building in the 1980s, was protected as a New York City landmark with a one-vote majority?
Madonna Louise Ciccone (/tʃɪˈkoʊni/; Italian: [tʃikˈkoːne]; born August 16, 1958) is an American singer, songwriter, and actress. Dubbed the "Queen of Pop", Madonna has been widely recognized for her continual reinvention and versatility in music production, songwriting, and visual presentation. She has pushed the boundaries of artistic expression in mainstream music, while continuing to maintain control over every aspect of her career. Her works, which incorporate social, political, sexual, and religious themes, have generated both controversy and critical acclaim. A prominent cultural figure of the 20th and 21st centuries, Madonna remains one of the most "well-documented figures of the modern age", with a broad amount of scholarly reviews and literature works on her, as well as an academic mini subdiscipline devoted to her named Madonna studies.
Image 5The Grateful Dead in 1980. Left to right: Jerry Garcia, Bill Kreutzmann, Bob Weir, Mickey Hart, Phil Lesh. Not pictured: Brent Mydland. (from Portal:1980s/General images)
Image 9The world map of military alliances in 1980: NATO & Western allies, Warsaw Pact & other Soviet allies, Non-aligned countries, China and Albania (communist countries, but not aligned with USSR), ××× Armed resistance (from Portal:1980s/General images)
Image 11Stage view of the Live Aid concert at Philadelphia's JFK Stadium in the United States in 1985. The concert was a major global international effort by musicians and activists to sponsor action to send aid to the people of Ethiopia who were suffering from a major famine. (from Portal:1980s/General images)
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Mr. India is a 1987 Indian Hindi-language superhero film directed by Shekhar Kapur and produced jointly by Boney Kapoor and Surinder Kapoor under the former's banner Narsimha Enterprises, with the story and screenplay written by the duo Salim–Javed in what was their last collaboration before their split. Starring Anil Kapoor, Sridevi, and Amrish Puri, the film tells the story of Arun Verma (Kapoor), a humble violinist and philanthropist who receives a cloaking device that grants him invisibility. While renting out his house to pay his debts, he meets the journalist Seema Sohni (Sridevi) and falls in love with her. Meanwhile, the criminal Mogambo (Puri) has plans to conquer India.
After watching his previous directorial venture Masoom, a 1983 family drama about children, Boney Kapoor approached Kapur to make another film with similar themes. Principal photography, handled by Baba Azmi, took place in Srinagar, Mumbai, and other locations in India, starting in July 1985, and finished after 350 days. Laxmikant–Pyarelal composed the soundtrack, while Akhtar wrote the lyrics. After filming ended, Waman Bhonsle and Gurudutt Shirali jointly edited it; Peter Pereira completed the special effects. (Full article...)
The story is a tale of redemption for paroled convict Jake and his blood brother Elwood, who set out on "a mission from God" to prevent foreclosure of the Roman Catholic orphanage in which they were raised. To do so, they must reunite their R&B band and organize a performance to earn the $5,000 needed to pay the orphanage's property tax bill. Along the way, they are targeted by a homicidal "mystery woman", Neo-Nazis, and a country and western band—all while being relentlessly pursued by the police. (Full article...)
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White Dog is a 1982 American dramahorror film, which Samuel Fuller directed from a screenplay he and Curtis Hanson had dramatized, which, in turn, they based on Romain Gary's 1970 novel of the same title. The film depicts the struggle of a dog trainer named Keys (Paul Winfield), who is black, trying to retrain a stray dog found by a young actress (Kristy McNichol), that is a "white dog"—a dog trained to make vicious attacks upon, and to kill, any black person. Fuller uses the film as a platform to deliver a message against racism as it examines the question of whether racism is a treatable problem or an incurable condition.
The film's theatrical release was suppressed for a week in the United States by Paramount Pictures out of concern over negative press after rumors began circulating that the film was racist. Prior to the date, it was released internationally in France in July 1982. Its first official American home video release came in December 2008 when The Criterion Collection released the original uncut film to DVD. (Full article...)
Cameron devised the premise of the film from a fever dream he experienced during the release of his first film, Piranha II: The Spawning (1982), in Rome, and developed the concept in collaboration with Wisher. He sold the rights to the project to fellow New World Pictures alumna Hurd on the condition that she would produce the film only if he were to direct it; Hurd eventually secured a distribution deal with Orion Pictures, while executive producers John Daly and Derek Gibson of Hemdale Film Corporation were instrumental in setting up the film's financing and production. Originally approached by Orion for the role of Reese, Schwarzenegger agreed to play the title character after befriending Cameron. Filming, which took place mostly at night on location in Los Angeles, was delayed because of Schwarzenegger's commitments to Conan the Destroyer (1984), during which Cameron found time to work on the scripts for Rambo: First Blood Part II (1985) and Aliens (1986). The film's special effects, which included miniatures and stop-motion animation, were created by a team of artists led by Stan Winston and Gene Warren Jr. (Full article...)
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Fanny and Alexander (Swedish: Fanny och Alexander) is a 1982 period drama film written and directed by Ingmar Bergman. The plot focuses on two siblings and their large family in Uppsala, Sweden during the first decade of the twentieth century. Following the death of the children's father (Allan Edwall), their mother (Ewa Fröling) remarries a prominent bishop (Jan Malmsjö) who becomes abusive towards Alexander for his vivid imagination.
Bergman intended Fanny and Alexander to be his final picture before retiring, and his script is semi-autobiographical. The characters Alexander, Fanny and stepfather Edvard are based on himself, his sister Margareta and his father Erik Bergman, respectively. Many of the scenes were filmed on location in Uppsala. The documentary film The Making of Fanny and Alexander was made simultaneously with the feature and chronicles its production. (Full article...)
Wings of Desire (German: Der Himmel über Berlin, pronounced [deːɐ̯ ˈhɪml̩ ˈʔyːbɐ bɛʁˈliːn](listen); lit.'The Heaven/Sky over Berlin') is a 1987 romantic fantasy film written by Wim Wenders, Peter Handke and Richard Reitinger, and directed by Wenders. The film is about invisible, immortal angels who populate Berlin and listen to the thoughts of its human inhabitants, comforting the distressed. Even though the city is densely populated, many of the people are isolated or estranged from their loved ones. One of the angels, played by Bruno Ganz, falls in love with a beautiful, lonely trapeze artist, played by Solveig Dommartin. The angel chooses to become mortal so that he can experience human sensory pleasures, ranging from enjoying food to touching a loved one, and so that he can discover human love with the trapeze artist.
Inspired by art depicting angels visible around West Berlin, at the time encircled by the Berlin Wall, Wenders and author Peter Handke conceived of the story and continued to develop the screenplay throughout the French and German co-production. The film was shot by Henri Alekan in both colour and a sepia-toned black-and-white, the latter being used to represent the world as seen by the angels. The cast includes Otto Sander, Curt Bois and Peter Falk. (Full article...)
Payanangal Mudivathillai is Sundarrajan's directorial debut and the inaugural venture of Kovaithambi's Motherland Pictures. The film was produced by R. Elanchelian, Pollachi M. V. Rathinam and P. Muthusamy. Ilaiyaraaja composed the music and S. P. Balasubrahmanyam and S. Janaki performed the songs. Cinematography was handled by Kasthuri and the editing by R. Bhaskaran. (Full article...)
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Moodu Pani (English: The Mist) is a 1980 Indian Tamil-language psychological thriller film written, directed and filmed by Balu Mahendra. Starring his then wife Shoba and Pratap, with N. Viswanathan, Ganthimathi, Mohan and Bhanu Chander in supporting roles, it is based on two novels: Idhuvum Oru Viduthalai Thaan (1978) by Rajendra Kumar, and The Collector (1963) by John Fowles. The film follows Chandru (Pratap), who has a strong hatred towards prostitutes and would kill any such woman he encounters. He falls in love with Rekha (Shoba) and believes marrying her will end his psychological distress.
Moodu Pani was the third directorial venture of Mahendra and his second in Tamil after Azhiyatha Kolangal (1979). It also marked Mohan's debut in Tamil cinema, and the last film Shoba acted in before her death. Principal photography took place between January and April 1980, mostly in Udupi, Bangalore and Ooty. The film's similarities to Alfred Hitchcock's film Psycho (1960) have been widely discussed. The soundtrack was composed by Ilaiyaraaja, this being his 100th film, and his brother Gangai Amaran was the main lyricist. (Full article...)
Walt Disney Pictures purchased the film rights for the story in 1981. Price and Seaman wrote two drafts of the script before Disney brought in executive producer Steven Spielberg and his production company, Amblin Entertainment. Zemeckis was brought on to direct, and Canadian animator Richard Williams was hired to supervise the animation sequences. Production was moved from Los Angeles to Elstree Studios in England to accommodate Williams and his group of animators. While filming, the production budget began to rapidly expand, and the shooting schedule ran longer than expected. (Full article...)
Meena Panchu Arunachalam produced Guru Sishyan under the production company P. A. Art Productions. The screenplay was written by her husband Panchu Arunachalam. The cinematography was handled by T. S. Vinayagam, the editing was by R. Vittal and C. Lancy, and the art direction was by B. Chalam. The film is Gautami's debut role in Tamil cinema, and the first film in which Rajinikanth and Prabhu co-starred. Filming took place primarily in Mysore and Chennai, and was completed in 25 days. (Full article...)
Jaws 3-D (titled Jaws III in its 2-D form) is a 1983 American thriller film directed by Joe Alves and starring Dennis Quaid, Bess Armstrong, Lea Thompson and Louis Gossett Jr. It is the second sequel to Steven Spielberg's Jaws and the third installment in the Jaws franchise. The film follows the Brody children from the previous films to SeaWorld, a Florida marine park with underwater tunnels and lagoons. As the park prepares for opening, a young great white shark infiltrates the park from the sea, seemingly attacking and killing the park's employees. Once the shark is captured, it becomes apparent that a second, much larger shark also entered the park and was the real culprit.
The film made use of 3D during the revived interest in the technology in the 1980s, amongst other horror films such as Friday the 13th Part III and Amityville 3-D. Cinema audiences could wear disposable cardboard polarized 3D glasses to create the illusion that elements penetrate the screen. Several shots and sequences were designed to utilize the effect, such as the shark's destruction. Since 3D was ineffective in home viewing until the advent of 3D televisions in the late 2000s, the alternative title Jaws III is used for television broadcasts and home media. Jaws 3-D amassed commercial success but received overwhelmingly negative reviews, and was followed by Jaws: The Revenge in 1987, which retroactively ignores this film. (Full article...)
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^Singhal, Arvind; Doshi, J.K.; Rogers, Everett M.; Rahman, S. Adnan. "The Diffusion of Television in India"(PDF). Media Asia. 15 (4): 222–229. Retrieved 2015-04-18.
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